"With the same enthusiasm and humor that makes his zine Wrestling Then and Now such a treat, Evan Ginzburg chronicles
his childhood as one of the last Jewish kids in Brooklyn's Flatbush neighborhood in the '70s. Our protagonist endures constant
bullying and defines himself through games, pranks, friendships, family, soul music and his beloved wrestlers. As a character,
he's seldom heroic but always reflective and resilient. As a narrator, Ginzburg maintains his friendly tone while revealing
the horrors and conflicts of his time and place in their full, agonizing glory. Great stuff."
Scroll down for awards/reviews for Apartment 4B, Like in Brooklyn
purchase online now from Barnes & Noble.com
Happy New Year,
This is Bob Davis, owner
of Soul-Patrol.comI wanted to wish you a happy new year and inform you of some good news. Your book Evan
Ginzburg - "Apartment 4B,Like In Brooklyn" has been selected as one of “Soul-Patrol.com’s Best
of 2006.” You can view your selection at the following url:
http://www.soul-patrol.com/newsletter/2006/news12/best2006.htmlAs you can see you are listed there along
with a hypertext link to a review, an audio presentation, an eCommerce site or your homepage, where Soul-Patrol readers can
get a taste of your accomplishment.
We will be sending out a
special email to all 44,000 Soul-Patrol Newsletter readers during the first week of January/2007 notifying them of all of
the winners. We will also keep a link up to this awards page on every page of the Soul-Patrol.com website for the next 12
months (till we announce next year’s winners).
As you know we have been
giving out this award for the past seven years to artists that we feel have gone above and beyond in creating high quality
music that helps to advance the culture that Soul-Patrol.com represents.
Congratulations
on your selection for this award.
As always we will be making
presentations of these awards at the 2007 Soul-Patrol Convention which will be held this year in Philadelphia in May/2007, in conjunction
with the Philadelphia Black Heritage Festival. Watch the Soul-Patrol Newsletter for more details about the 2007 Convention!
Thanks in advance and once
again have a happy New Year and continued success.
Evan Ginzburg
is an author, broadcaster, promoter and educator. He's also a member of the daily Soul-Patrol Mailing List, and that is
how I got to know him.
Evan has also written a very timely book called "Apartment 4B, Like In Brooklyn" (Reliving
Times of a Bygone Era). It's a very timely book because there is currently a great debate going on in our society about the
way we treat each other.
At first glance, Evan's book appears to be yet another one of those feel good, exercises
in nostalgia about how good it used to be to live in Brooklyn.
In fact the cover of the book even has a picture of the entrance to what appears to be one of those well constructed small pre-war
apartment houses inhabited by those mythical Brooklyn
Dodger fans that Roger Khan wrote so lovingly about in the book "Boys of Summer". Perhaps this apartment house was at one
time inhabited by those mythical Brooklyn Dodger
fans. However that isn't what Evan's book is about.
Evan's book is all about his very painful memories in being the
very last white family to leave the neighborhood (Lenox Road) and that for him was a stigma of monumental proportions
as a jr. high school student during the early 1970's. I am somewhat familiar with the area, having lived not to far from there
(Sullivan Place, oddly enough right across the street from the former site of Ebbtes Field) about 5 years prior to the timeframe
that Evan is writing about. I can clearly remember my own mother telling me not to go across Empire Blvd because of the white
people there. Evan lived on that "other side of Empire Blvd, "when it was still all white.", By the time he left, his family
was "the only white family left."
In some ways the book is an assault on the reader. On most every page of the book
Evan is called the following by his Black & Hispanic jr. high school peers:
- jew boy - honky - white
boy - white motherf*cker - etc.
(over and over again)
The book works best as a study in young Evan's thought
processes as each day he must get up in the morning and figure out a game plan to insure that he suffers the least amount
of physical/verbal abuse from his classmates at school and his neighbors on the block. At one point in the book he even talks
about his fears of potentially having to attend Erasumus Hall HS and having to suffer the abuse from even older kids. This
book is not pleasant to read at all.
Young Evan is clearly "de-humanized" as a result of the treatment. The book ends
with his family "escaping" to Bayside Queens, just prior to his entering high school. It doesn't really tell us how he was
able to overcome the "de-humanization" that he describes in such detail in the book.
- jew boy - honky - white
boy - white motherf*cker - etc.
(over and over again)
In today's society there are some black people who
are currently engaged in a debate over the usage of the so called "n-word". There are some folks who claim that it's "casual
usage removes/negates the hate previously associated with the word." In my opinion these people are suffering from low self
esteem that, they are in fact slaves and have no desire to be anything different.
After reading this book, I can
assure you that Evan Ginzburg doesn't think that "casual usage removes/negates the hate previously associated with words
like...."
- jew boy - honky - white boy - white motherf*cker - etc.
(over and over again)
I'm
certain that there are some Black folks reading this review who are silently smiling. They are saying thinks like "good,
the white boy got a taste of his own medicine..." I am certain that Evan Ginzburg knows that as well. That's because
the pain of such treatment never goes away. Having the upper hand, gives one the "right" to terrorize others, doesn't
it?
There even comes a point in the book, where young Evan is asked if he is Jewish and he lies and says he is "only
1/2 jew". He feels ashamed afterwards, that's a part of the de-humanization. These type of words hurt when you are 10
years old. They still hurt when you are 70 years old. It's all a part of taking advantage of the perceived "weaker person"
and then taking it to the n'th degree of torture and humiliation. Once that is achieved the goal then becomes to so ingrain the
emotions into the victims brain so that not only do they carry it around for the rest of their lives, but that they also
pass the very same "fear, uncertainty & doubt" (FUD) on to their children.
Today in America, nobody wants to
have an honest discussion about race. Nothing unusual about that, it's been that way since the country started. Back
in the early 1800's a French journalist named Alexis de Touqueville write a book called "Democracy in America." The book
is actually a collection of magazine articles writen by de Touqueville for the European press giving his opinions about
the prospects for the new country called "America.". Alexis de Touqueville comes to the conclusion that America will
never live up to it's potential until it comes to grips with it's race/slavery problems.
As we sit here 200 years
later, Americans not only are no closer to fixing the "race problem", hell we won't even talk about it honestly. Looks
to me like de Touqueville was right in his predictions?
Yet there are people out there who think that it's ok to just
throw around the "n-word". I'm here to tell you that it isn't ok. And to think that it is ok would be such a serious
error in judgment. An error in judgment that could potentially do serious damage to your children and their hopes to lead
a decent life. Where else but in America could the victims actually be persuaded that it's ok to de-humanixed by each other
and claim that it's "a term of endearment."?
How can it be possible to gain the respect of another man, when clearly you
don't respect yourself?
As I said, Evan's book is very timely...
"We Got To Live Together" --Buddy Miles
Book Review: Apartment 4B, Like in Brooklyn By Evan Ginzburg Alternative Press 148 pages $14.95
Reviewed by Tom Filsinger
I'm pleased to announce that another excellent book has come across
my desk at Fed HQ. It's a book written by old friend, Evan Ginzburg. Game fans will remember Evan from his appearance at GalactiCon
2004 with Johnny Valiant. He is the producer and editor of Wrestling Then and Now newsletter and manages several wrestlers.
Evan has written an autobiography called Apartment 4B, Like in Brooklyn.
God, how I love a good autobiography, mainly because the best ones
offer some universal insights and concepts to ponder that stretch beyond the life of the author. Evan's book does just that.
Evan grew up in Brooklyn in the 1960's and 1970's. He saw his neighborhood slowly evolve from a traditional ethnic immigrant
neighborhood to a multi-racial neighborhood populated by Blacks and Hispanics.
Apartment 4B is the story of a Jewish family adapting to these
major changes.And adapting is the key word. Evan describes in graphic detail the pleasures and pains of these adjustments.
From being beaten up regularly for any change in his pocket, to having his brand new bicycle stolen in broad daylight, to
tales of murder, cheating, and degradation, it all seems like a painful and bitter life lesson.And yet the book is free from
real rancor or hostility. Evan's world is a complex world where his new friendships were very fulfilling, from playing inner-city
street games like Skully and stickball, to going to the latest showings of Bruce Lee movies, to identifying with James Brown
as his hero, Evan has carved a romantic vision at the same time that his stories are frightening, dehumanizing, and
sometimes downright revolting.
The book is written in a short story format, making it easy to pick
up and put down at the drop of a hat. Not that it's easy to put down. Evan's writing style is easily accessible with many
humorous touches thrown in to offset the sometimes painful memories. As a child of the same time period, I can identify with
Evan's stories, the main difference being that my family moved (ironically to a Jewish suburb) prior to the inner-city
upheavals that the Ginzburg family endured. I saw the tip of the iceburg when I lived in East Cleveland in the 1960's.
Evan's family stayed at Apartment 4B even when "white flight" saw
many other families moving out. Wrestling fans will enjoy Evan's references to his love for professional wrestling beginning
with Bruno Sammartino and many others. There's even a nice drawing of Baron Von Raschke by Rick Knox in the book. Maybe Rick
would let us use it someday if we add the Baron to the Legends game lineup. I heartily recommend Apartment 4B, Like
in Brooklyn. It's an easy read on a difficult subject.
Ginzburg's love of life and pop culture shine through the tough times
and his experiences represent a microcosm for the shifting template of American culture in the 1960's and 1970's. Take it
from me, a big reader of memoirs, that this is worth picking up. The book is available now through mail order at: PO Box 640471
Oakland Gardens Station Flushing, NY 11364 for $14.95 and $2.50 postage and handling (Add $5 for overseas orders).
From Fred Geobold, WBAI-FM 99.5 NYC-
Evan Ginzburg has put
into words the emotions and experiences of growing up in the ever-changing Brooklyn of the ‘60s and ‘70s: a Brooklyn that is lost forever.
We read several tales on the air and they’re funny, poignant and most certainly memorable.
Review by Fred Argoff from Brooklyn Magazine Issue #52-
This quote appears at
the end of the introduction: “In adulthood, Ginzburg moved to a foreign country (Flushing), yet his heart is still in
Brooklyn. This book is a reflection of Ginzburg’s lifelong ties to his beloved Brooklyn. It doesn’t get any better than this.”
If you were born in
Brooklyn, it doesn’t matter how long you lived there. Whether you move away as a child
or as an adult, and wherever you go, you will always carry a little bit of the borough around with you. We offer this as a
pathetic, tip of the iceberg explanation for the waxing nostalgic of Brooklyn.
That said, there’s
nothing better than a book recalling one’s childhood in Brooklyn. Why, Your Friendly
Local Editor could have written this-but he didn’t; Evan Ginzburg from Lenox
Road in Flatbush did. And for this we can all be grateful.
The book has six chapters,
and a look at their titles tells hints at what’s to come: Early Daze; We are
Family; Reading, Writing and Humiliation: Block Heads; Boys
and the Hood; Last Gasp. And there’s an appendix with photos—including a stickball picture that will be immediately
familiar to everybody.
Apartment 4B, Like in Brooklynis available for $14.95 (plus $2.50 postage and handling) from the author at PO Box 640471 Oakland Gardens Station, Flushing, NY11364.
You will be severely remiss if you don’t send away for a copy ASAP. If you come from Brooklyn,
every page will bring a smile to your face, because you will have experienced many of the same things. And if you’re
not from around here, well, at least you’ll understand why natives feel Brooklyn is
such a special place.
Brooklyn's cultural landscape is ever-changing and those who remember "the
old" Brooklyn are few. One of those Brooklyn natives, Evan Ginzburg, decided to preserve
the Brooklyn he once knew in his memoir Apartment 4B,
Like in Brooklyn.
A QueensCollege
sociology class inspired Ginzburg to pen his memoirs of growing up in East Flatbush during
the 60s and 70s. Says Ginzburg, "I was writing how and why the neighborhood changed with all kinds of statistics to go with
it. The professor was incredibly encouraging saying, 'Let's do something important with this,' but my beloved father had just
died and my head wasn't on straight then." So it wasn't until years later that Ginzburg gave in to the inner voice urging
him to write.
"It was always this nagging thing on my shoulder - "I need to write about this." The "this"
was a Brooklyn that no longer exists.
Ginzburg grew up on 245 Lenox
Road between Nostrand and Rogers. A mostly blue-collar Jewish neighborhood when Ginzburg's family
moved there, demographics changed dramatically in the 1960s.
"The changes in Brooklyn in the 1960s and 70s weren't
natural," Ginzburg explains. "They were expedited by 'blockbusting.' The real estate interests knock on people's doors and
scare them by telling them, 'The blacks are coming in – you should get out now.' Then the [real estate] agents make
a low offer on their house. Rip them off. They’d turn around rip off the black family interested in buying the house
by overcharging them. Taking from both sides. They created an unnatural flight to the suburbs. I remember on the next block
over [from him], a young white woman was murdered. This was 1968 or 1969. Murders were few and far between back then. Months
of fear went by; of course everyone thought a black guy did it. What happened? Turned out that her white boyfriend did it.
They were turbulent times politically then as well. Martin Luther King was just killed." Ginzburg says. And that that aura
of fear remained. The 'white flight' to the suburbs was common."
Ginzburg's family didn't leave though and ended up being one of the few white families
in the neighborhood. It wasn’t easy for Ginzburg, but there were always some amazing experiences that Ginzburg held
on to for many years.
Much later, as an Adult Ed teacher, Ginzburg started teaching Sandra Cisneros' The House
on Mango Street, a book about growing up in a Latino neighborhood in Chicago
in the 60s and it touched Ginzburg. "I loved the format- very, very short stories that could be read by either kids or adults
and although there were repeat characters, the stories didn't really flow from one to another. But it told the story! Poetically
no less. And that, too, inspired me. So finally, after literally decades of wanting to write my story, a political writer/friend
named Jeff Archer just shamed me into it. 'Writer's write,' he'd tell me. That kind of thing. Over and over again. And I sat
down during one summer vacation and wrote a story a day. Just jumped in like a lunatic. Almost 60 stories in 60 days. It was
like therapy. When I wrote that last story about the day I moved from the block, I just cried. It was like I was reliving
it. I spent years polishing it and production etc. al. and four or so years later, here it is. But some of this is just about
the sheer desire of getting something you believe in "out there."
The memoir chronicles Ginzburg’s Brooklyn –
from getting hassled for his lunch money to playing skully to watching the Ed Sullivan show with his music-mad mother. "Mother
wasn’t not a groupie," Ginzburg comments, "She didn't sleep with musicians but she did run around with Tito Puente."
And she enjoyed listening to James Brown and Motown instilling a love of music that remains with Ginzburg. "Culturally, I'm
more like a 60 year-old black guy than a 46 year-old Jewish guy," he says, "My tastes are more Al Green and Marvin Gaye.”
Apartment 4B, Like in Brooklyn skillfully
captures a Brooklyn that is no more and is as engaging as it is nostalgic. The cover is a
close up of his old building. "The building has a huge gate in front of it now, like a fortress," Ginzburg says, "The photographer,
Bernard Ente, had to go inside to get the shot." In addition to the cover photo, Ginzburg provided personal photos of his
family, friends and neighbors that add to the book’s Brooklyn flavor.
Ginzburg who now lives in Queens, is especially nostalgic for Brooklyn
block parties. "Such a beautiful thing, all cultures together, Jews, Trinidadians, all nationalities together. It was a unique
Brooklyn experience. You don't see that in the suburbs. On Long Island, there are people
who literally never go into Manhattan much less Brooklyn.
They did the wife, kids, dog, cable thing. It's fine, but to me, it's vacant culturally."
Today, Ginzburg teaches and hosts a radio show on WBAI-FM's Light Show (Wednesdays
from 2-3pm, and www.wbai.com on the Web). Ginzburg’s diverse Brooklyn upbringing made him open to reaching out
to those who would maybe otherwise get lost in the shuffle. Ginzburg books talent that he find interesting, from big bands
to various pro wrestlers, comedians and porn stars. "Interesting people who aren’t one dimensional," he explains. He
writes on his Web site, "I am proud to say that we not only interview and report on the name groups, but some performers who
are virtually unknown. From the latter, we have offered some of the most astute interviews in the world. For some reason,
the lesser-known talent (not necessarily lesser-talented) are more open with their words.
Instead of getting a pre-planned answer written by a publicity guru for a big
star, we broadcast the real emotions and responses of those who have not quite 'made it' in their field."
People like Greenpoint musician, Ansel Matthews, a 6'7", 250 pound ex-football player. Says Ginzburg, "His music is uncategorizable. He does this sensitive, spiritual music
that is so soothing I can't even explain it. And he's the bouncer at the gigs he plays!"
Ginzburg says, "When you’re out there doing creative things, not just pursuing money,
then interesting things happen. I’ve never gotten rich but I’m rich from experiences."
To order: "Apartment 4-B,
Like In Brooklyn", send check or money order to: Evan Ginzburg, P.O. Box 640471,
Oakland Gardens Station, Flushing,
NY11364. Price is $14.95 + $2.00
shipping.
Review by Dann Leonard- Editor Betty Paginated (Australia)
APARTMENT 4B, LIKE
IN BROOKLYN by Evan Ginzburg: What could have been a wistful look back at one man’s childhood growing up in a culturally
and racially changing neighborhood in New York City, instead
ended up being a painful look at racism, petty crime, random childhood cruelty and school bullying.
Evan – the editor of long-running wrestling nostalgia sheet Wrestling Then & Now – is a good writer and this
short book of anecdotes certainly held my attention. I just felt quite depressed afterwards. For every story about Evan’s
parents, his wacky friends playing stickball or reading comics is countered by an unpleasant tale of being mugged in the street
by black kids, beaten up by a gang of Puerto Rican teenagers or being forced into an all-white class at school for his own
protection from the non-white students. All forms of racism – anti-black, anti-white, anti-Hispanic, anti-gay, anti-Jew,
hell…even anti-Jehovah’s Witness – are addressed and the overall picture is a very
unflattering portrait of 60s/70s multicultural America.
Apartment 4B is available through mail order from
Evan at PO Box 640471, Oakland
Gardens Station, Flushing, NY, 11364, USA for US $14.95 and US
$2.50 postage and handling (add US $5 for overseas orders). It can also be bought by credit card at www.evanginzburg.com and www.wrestlingthenandnow.com
Two
Sheds Review
Julian
Radbourne (England)
Ginzburg's second book, Apartment 4B, Like In Brooklyn, is an autobiographical book, as Ginzburg looks back at his childhood
years, of life growing up in East Flatbush, Brooklyn.
It's a tale of a child growing
up in the 1960's and 70's, at a time long before kids found their entertainment with video games and mobile phones, and they
found enjoyment by playing ball games in the street and in backyards. Things certainly were a lot easier and simpler back
then.
And it's a truly enchanting tale, as Ginzburg tells us about his parents, a mother who looked after house and
home, and a father who worked fourteen hours a day, six days a week, as a New York cabbie, estimating that he's driven over
a million miles during his life.
Ginzburg also tells of the many influences in his life, which, of course, also involve
professional wrestling, and learning Spanish along the way while watching Lucha Libre on television. The story of his first
ever visit to MadisonSquareGarden, to watch his hero Bruno Sammartino, was also enjoyable.
But
it's the stories of his friendships and encounters with other kids in the neighborhood that make this book. While not wanting
to go into to much detail here, there are tales that will make you laugh and cry, and even though these events took place
over thirty years ago, and you knew things would turn out fine (otherwise he wouldn't have written this book), you couldn't
help but root for the guy during some of the more troublesome moments.
In conclusion - a highly enjoyable read here. Ginzburg
manages to the sense of the era perfectly, and after finishing the book, I began to wonder if Ginzburg ever got back in touch
with any of the friends he made in Brooklyn, and if he found out what they're doing now.
This is a frequently amusing nostalgic
series of essays about growing up in Brooklyn in the 70s. It is a little cutting edgy, but
as such it captures the spirit.
CULTURAL ICONS
LOVE APARTMENT 4B, LIKE IN BROOKLYN
“Apartment 4B, Like in Brooklyn- his book is a very realistic, easy read about growing up in New York and reliving times of a bygone era. Once you pick it up you won’t be able
to put it down.”
-Handsome Jimmy Valiant (Professional
Wrestling Legend)
“I must say that from the time I picked up the book ‘till I finished
it that it has made me think about how I not only see people but how I treat them and what I say to them. The book was just
POWERFUL, a tool if you will on how one can be affected by words; light hearted and painful all at the same time. I was laughing
and crying all at the same time. I have not picked up a book that had this kind of impact on me since I read Truman Capote.
Thank you just doesn’t seem to be enough.”
Although set in 196o's Brooklyn, this coming of age story is about feelings of joy
, pain, discovery,and growth, that are universal to us all.Evan paints a portrait of his life as a gentle tough kid in a racially
mixed and consistantly volatile urban environment. He was an urban Huck Finn with the mean streets of Brooklyn standing in
for the mississippi. His adventures, scrapes, beatings, and occaisional misdemeanors are endlessly entertaining and will linger
in the memory long after the reader has finished the book. I look forward to the sequel.
I know Evan from Queens, New York, from when we were teenagers. Evan told me that
he spent his childhood in Brooklyn, but eventually his parents decided to leave the neighborhood as it got difficult with
the times. Evan definitely addresses the problems that the residents had with each other based on their differences.
I no longer live in New York, but it was interesting to see how Evan captured the favor of my home. I would recommend his
book, as it is a quick read and it really is like reading a compile of short stories and incidents.
I grew up in Brooklyn in also one of the toughest ares,Brownsville. Brooklyn was just
as Evan Ginzburg explained. Reading the book brought back many memories for me some good and some bad but life was a bit more
easier back then. Too bad life isn't more like stoopball,scully and stickball with your mothers broom handle. Wouldn't life
be better for all?
An endearing glimpse into a Brooklyn neighborhood's past, August 27, 2006
I loved this book for two reasons; it was very easy to read and is such a loving, honest testimonial
to Evan's coming of age in 1960s and 70s Brooklyn. Brooklyn is fascinating because of it's history and this book gives the
reader an idea of what this neighborhood went through during it's changing times by someone who lived it and loved it. Evan
tells why through his memories and photographs which takes the reader back with him. An endearing memoir of how the neighborhood
shaped the man.
Anyone who has ever grown up in an urban area will relate to and love this book. I
not only laughed but was moved by what I read. I urge you to read this.
It was an easy, pleasant read. It took me back to a time when the world was at peace
and a neighborhood was sacred. Ginzbug captures the emotion, respect and love that was present in that era.
This book offers a rare look into the ever changing and somewhat racily charged culture
that was/is Brooklyn. The depiction of a neighboorhood going from white/Jewish to mixed to what was known as "white flight"
is captured masterfully. No punches are pulled, Mr. Ginzburg is not afraid to show vulnerability, or to relive difficult times
in order to portray childhood experiences that will strike a chord in all readers. This book can be compared to the tv series
the "Wonder Years" minus the rose-colored glasses. A must read.
If you lived in Brooklyn, or want to know what it was like to to grow up in Brooklyn, you'll truly
enjoy reading this book.
A wonderful compilation of short stories relating just some of the author's life shaping
events as he "comes of age" at a time when Brooklyn was enduring a dramatic demographic change.
Nostalgia Distilled Into a Small Package, August 20, 2006
We just Finished reading, APARTMENT 4B, LIKE IN BROOKLYN. It's filled with vignette
after vignette about growing up in Brooklyn in the Late 60s and Early 70s. It will remind you of growing up in your neighborhood
but this is Brooklyn so it got a few more interesting stories that the rest of us didn't go through. It's a rather quick but
Very entertaining read. You should go visit, evanginzburg dot com and tell Evan we sent y'all over. You should read the book
too, if you Like these sorts of things.
ALSO
AVAILABLE FROM EVAN GINZBURG
The critically
acclaimed:
Hey Cabby-
A New York Cab Driver's Million Miles Behind the Wheel
$4.95 plus $1.00
postage to Evan Ginzburg PO Box 640471 Oakland Gdns Station Flushing, NY 11364